Saturday, June 16, 2007

Shortie of the Week

I've been on me hols, hence the radio silence and the lateness of this post! So really it's ok...

After an epic tour of the American South, beginning with an unplanned but lovely overnight in Virginia, Hilton Head, South Carolina, Savannah, Georgia and finishing up in Raleigh, North Carolina, I'm back and exhausted.

In honour of the highlight of my trip, this week's short fiction is Savannah native Flannery O'Connor's 'A Good Man is Hard to Find' (1955).

Sunday, May 27, 2007

Shortie of the Week



The inaugural Shortie is short fiction from the New Yorker earlier this month: 'One Minus One', by Colm Tóibín.

Read Short Fiction, Dammit

I work in a publishing house on the fiction list, so I know, live and breathe the truth that short stories don't sell. It is true. It is indisputable. And I'll tell you something else: it's absurd. I cannot understand why, in our saw-it-on-my-RSS-feed, soundbite-luvvin' world that people cannot and will not get their heads around the short story. It is the ultimate in potted brilliance. It is the thirty-minute lunchtime workout, the Coffee Break Spanish, the breakfast-in-a-shake of literature. Wham, bam, thank you ma'am. A double espresso with no time to stir the sugar, down the hatch, crumple the paper cup and move on, gets your heart racing and out into the world. How can it NOT appeal to commuters, new mothers, travelling salesmen, teenagers and those who love to read but haven't the time? It never ceases to baffle me.

So, in the hope of inspiring a little appreciation for the gorgeous morsel, the tiny square of sticky baklava, the perfectly round pork-pie that is a fine piece of short fiction, I'm going to go out there and find one every week and post it, right here. And just to keep up the visuals, I'll include a parkbench original to complement the broader theme of the work.

Watch! Next post coming up... now!

Friday, May 18, 2007

Want some dorky, book-related fun?

We all do. So, I read about it somewhere or other, and had completely forgotten about it until I started thinking about the Clutter Monster living on the lower floor of zee tiny abode. At home, you know, in a country where people appreciate books, second-hand shops in big cities thrive, and are run by pleasant people. Here, however, my charming, once-read review copies get sneers from snotty booksellers near Leicester Square who flog Italian first editions of Godot and spell Beckett's name wrong on the shocking price tag. I saw it. So, in lieu of lugging them back to Dún Laoghaire as I often do in exchange for dinner-money (bag of books = €10-15), I thought I'd set them free.

Book Crossing is an extremely sweet and seemingly very popular idea. I'm linking to it along the right-hand side here forever more. Basically, you sign up (no big deal), register your books (add the ISBN and they do the rest), and then leave 'Release Notes' describing how you set your book free. You could leave it on a café table or throw it onto a passing barge.














All you have to do is tell eager bookcrossers where you put it. Did you leave it in a tree in Primrose Hill? On the 46A bus to UCD? Or did you pass it off to a friend? Dedicated souls are signed up to email alerts for areas they're likely to be near, so that they can even go hunting to see if they can beat random passersby to the book. Though you can pass off books to people you know, it is SO MUCH more fun to hide them in the wild! Ziploc bags are recommended, as are post-its on the cover declaring that 'This book is NOT lost! It's free! For you!' or some such enthuse... Then the curious passerby picks it up, and hopefully reads it, and logs back in to the website that bookcrossing.com has associated with that very book to say: 'Found your book! Love it / hate it / gave it to my sister / passed it on at the newstand of 4th and Delaware in Cheboygan, Michigan / on a vaporetto heading to St. Mark's in Venice'. So, ok, my books, though picked up, have not been reported back on, but I live in hope. And anyway, it's fun, and if you leave your books hidden in public, you feel like you're nine and on a treasure hunt, which is no bad thing.

Give your old books new life and send them on adventures. :)

Saturday, May 05, 2007

Turkish Delights


A month on, much has happened. Job happiness has been further secured, I've turned twenty-six, made a small name for myself with a great London literary agent, and most importantly, been to a new city, a new country and a new continent.

Not sure what to start with, so I'll go with Istanbul and the, er, aforementioned Turkish delights. The Bearded One has nine months of Turkish under his belt, and neither of us had the least notion how popular this would make us. Everywhere we went, we met the sweetest, most enthusiastic people I have ever come across- certainly as a tourist. I was concerned about dressing modestly and the whole routine, and found that though I was wise to watch my Ps and Qs, we were welcome everywhere we wanted to go, and met and saw a whole swathe of Turkish society. The hotel, Hotel Turkuaz , was located in southern Sultanahmet, near Kumkapi and the Marmara coast in a neighbourhood that did not look like a likely tourist spot to say the least. Alive with the sounds (and smells) of stray cats like the rest of the city, and home to a politically but not religiously right-wing community, it was extremely poor, with most of the houses subsiding into the ground at distinctly non-right angles. It was a shame to see, because the hotel (which is indeed turquoise and not pink as it appears on the website- other photos are bang on) is a gorgeous example of Ottoman architecture, and there were a few others standing proud.It looks a little bit like Louisiana to me- tall and creaky, wooden, though tongue-and-groove, not clapboard, and full of curliques. It was run by the charming Maria, a cat- and turtle-loving Romanian. Nothing was too much trouble, though at times her advice regarding boring bits like ferry schedules warranted double-checking. The resident turtles, Fatima (pictured below) and Osman (camera-shy), oversaw epic and non-varying breakfsts in the chilly courtyard: eggs any way you like 'em, gorgeous, wet feta-like cheese, dried olives in oil, sliced cucumbers and tomatoes, brioche, bread, butter, more cheese and jam. And as one astute elderly frenchwoman muttered on our last morning, 'Mais ecoute: il faut manger les crudités le matin, parce qu'on n'aura pas des autres durant la journée. Eh? EHH?' I got her, alright, with her little-old-lady subtlety. She was a legend: intrepid and nothing daunted, she was eating her crudités le matin AND learning Turkish at the age of seventy-five. But I digress: seeing the sights requires all the energy provided by our brekkies, so we took plenty of pit-stops along the way.
Beyoğlu is the place to be in the evenings, and check out the little boreens at the right-hand side at the base of İstiklal Caddesi, where the old tram terminates. We found a tiny, slightly dodgy-looking cafe, where the owner happily skipped up a death-defying ladder to settle us down in a tiny, cushion-filled erzatz loft for beers and 'cigar-shaped' cheese borek. No taps, no oven- just bottled Efes and gorgeous home-made food made, I suspect, that morning by the owner's mother and heated up when orders came in. Tasty, friendly and cheap. Live music started below, and a vacated table for two opened up, so were helped back down to reality to join the 12-strong crowd. Plates appeared out of the tiny kitchen, and that one amazing night happened, the one you always have in a holiday, the one that could never be reconstructed in the cafe that could never be found again. I'll leave the sights to speak for themselves, I guess, and recommend a great website on Turkey: pretty it ain't, but yer man's info is unparalleled for its accuracy and breadth, and we can thank the Turkey Travel Planner for a lot of our planning beforehand. We'll have to go back, as we could spend a whole 'nother week on boats seeing the islands.

Tuesday, March 20, 2007

New Irish books magazine!

Exciting news, exciting news- what looks like a legit, interesting online books quarterly. I do hope they keep up what they started, and who knows, I might do a little parkbenching in there, too. Wouldn't that be nice. They probably don't pay, but neither do some other very reliable books sites. Have a look at the sharp-looking Dublin Review of Books. Good work, folks. You have the Irish blogging community paying attention, anyway, which is certainly a great start. But where, I ask myself, is 36, College Green? Are these trinnerskids? And if not, how'd they get such a jammy office? Hmmm...


At any rate, serious-minded criticism in an accessible format, highly recommended by yours truly.

Obviously, another winner, for similar reasons and bearing a similar title, is the more tangible Dublin Review. A lot of care goes into it, and it shows- it's respected and enjoyed by people who know their stuff, but interests the youngins like myself. Going strong for some years now, it contains all sorts of literary gorgeousness, criticism, short fiction, long essays, autobiographical stories, dabblings of new travel writers and esteemed authors. Worth its weight in gold, and well produced. Simple words, with a *gasp* design concept? Well laid out, simple, consistently entertaining reading, and one of those things you're proud to say you read. Your challenge for the week? Use the words munken cream at the next possible opportunity.

Tuesday, March 13, 2007

Barack Hits Scotland

Big news: UK rights for the Barack Obama book were snapped up by the achingly savvy Canongate. Not their usual tack, but quite the coup nonetheless.

The Scotsman adores Jamie Byng and, well, understandably so. The man is practically single-handedly responsible for revitalising Scottish publishing. Check out their take on the new buy.

To give the appropriate disclaimer, I should probably admit here that was once paid a startling compliment by said publisher. What was even better was that the praise was passed through the newspaper editor who took a chance on giving me decent reviewing slots. One of them was Canongate's stunning jacketed paperback publication of the complex, dense and gorgeous My Father's Notebook by Kader Abdollah. So, I'm biased, but they really are a great house... Have a look, although their site needs a little formatting help.

I'm excited about Obama and everything, but really, folks, it's Clinton. More on that later.

P.S.- just saw that Eoin Purcell beat me to it :) Must get that handy dandy Bookseller bulletin set up.

Sunday, March 11, 2007

A pleasant day in Camden


There's a first time for everything. Welcome to a pictoral record of my first truly lovely wander through Camden Town. Astonishingly, I was not pushed, offered hash, asked if I had some smack, or called a stupid whore by dodgy passers by. I'll let the pictures do the talking, and later, I'll chat about Shanghai Nights by Juan Marsé, recently published in paper by the ever-gorgeous Harvill Secker. Meanwhile... Go to see this astonishing coffee, um, roastery, where one quiet man of indeterminate origins roasts a short dozen different coffees in a sooty olfactory paradise.













And in keeping with this sensual overload, we have the audio...

and the gastronomical,
with some beautiful Moroccan stews in the nice bit of the Camden Lock Market.

Friday, March 02, 2007

Oh, dear. It's the fruit of my labours.

So you read. You read a lot. Forty, a hundred pages, three manuscripts per editor per week, two editors. You review, write reports, synopses, opinions, comparisons researched on the internet, in catalogues, the papers. You chat with colleagues, fight your corner, humour your editor, or not. You find foreign language readers, second readers, second opinions and insider insights. Africans, Irish, amateur botanists, historians, Middle East specialists, social workers. Whatever. The winners make it to the editorial meeting, where they might well still get shot down by dubious sales (UK or export), other editors, the MD...

For the rest, someone on the editorial side drafts the rejection letter, trying to be honest, constructive, fair, specific and yet vague enough to cover up the fact that most submissions aren't read past the first forty pages - if that. They try to maintain carefully-wrought relationships with agents, keeping them sweet but outlining an editor's likes, dislikes, likely buys and no-hope-in-Hell case scenarios yet still appearing to be open to the agents' every whim for fear they pass up the next Harry Potter or The Day of the Jackal. You tried, you all tried, and then? Then you see a website like this, and you hope that you or your office haven't been responsible for any of the worst rejection letters ever.

Now, whether Mr Hallamshire is a writer of note is of absolutely no import. I don't know of his work, nor, like the fine folks at A.P. Watt, is science fiction my thing, but I would never, ever write or be permitted to send anything so laid back, so dismissive, so... bad. What is disturbing here is the total lack of writing ability on the part of the editorial staff. Sure, time is a problem, as is the volume coming in from agents is astonishing, and on the agenting end, well, God only knows. If we get three or four fiction submissions per editor per day, I can but imagine what the agents get. But oi. If this is legit, try harder.

Saturday, February 24, 2007

Close Quarters

So, one of the reasons that London smells, you will agree, is that quarters are close. Flats are small, offices cramped and tubes stuffed. It's not so much a problem as a fact of life, like living in one of those fold-down apartments in Tokyo.

Having decided against moving, myself and The Bearded One resolved to love our flat more, which is easy enough, considering that at £210 per week with no council tax to pay, it's a steal for a teeny one-bed on two floors with the aforementioned weenie patio in its fantabulous location convenient to work and friends. So, friends should come round more, and did last night, which was nice. Seems we could manage twice as many as we had in the end, so watch this space, party central.

Downside? At the moment, however, I'm huddled on the less pleasant of the two floors, because my Scary Neighbour is upstairs with The Bearded One. The Bearded One, like most boys, has a long fuse for people, unlike myself. Scary Neighbour is a large, strong, loud man in his thirties who, we can tell from being on the patio, likes to scream abuse at his wife. OK, so sometimes she screams back, but very rarely. Scary Neighbour, an equal oppurtunities screamer, also shouts filth when he's alone. He is, I believe, unaware that we know either of these facts. As sorry as I feel for the wife, what confirms his craziness in my mind is that he plays out entire fictional arguments at the top of his voice out the kitchen window while he does the dishes alone in his apartment.

I object to being forced to know these sorts of things about people.

Saturday, February 17, 2007

Sunday, February 11, 2007

Editors 'R' Us... now with added cash!

So, the real belated news, told smugly while munching Portugal's greatest export of a sunny Sunday morning? The real news is a change of job and a complete and utter change of life for yours truly. Shortly before I travelled back to the US for Thanksgiving, I was given the heads up by the Editorial Assistant for Fiction that she was changing careers and going travelling in between the scenes, leaving her position gloriously vacant. Attempting a cross-departmental move in a fourteen-person company is something to be considered, as it does have the potential to backfire horribly, but not so here! And thank Christ for that, as I just don't think I could take it if this job went wrong. I've invested too much in being here to have to pack up now.

Organising the move was extremely stressful, most of it masterminded while sitting on the floor outside the VIP Lounge at Detroit Airport, stealing their Wi-Fi. (A lovely Japanese man and his wife invited me to come in just as I was finished, because they were allowed to have a guest, which was sweet.) But come January, I was back in the same lovely publishing house, full-time and fully engaged as Editorial Assistant for Fiction. Publicity, particularly part-time, is simply not me – not here, anyway. I have difficulty getting into the national press here, although it will come with time. More of a Guardian and books press girl, myself, but of course publicity requires so much more. The other thing about publicity at its lower levels is that it’s simply not brain work: strategy, planning, organisation, yes, but hard analysis, working with texts? Notsomuch.

So now, I actually read and write for most of the week- submissions, nothing finished. I now understand why editors have never read the backlist. Fantastic experience, and it really feels like a great match between academic thought and knowing the market. It’s extremely exciting. I just can’t believe that it took me a year and four months to get back to Plan A, and how long and awful that time was.

But now, now, my friends, I’m enjoying something of a revival. I’m back in the world, going to the theatre, concerts, (that's Willie Nelson, you heathen) buying nice food with the yummy mummies in Primrose Hill… smiling. Extraordinary stuff. Kind of like real life, but without the Irish people and the sea. Will keep me going in the meantime, anyway.

Will report, albeit somewhat cryptically, on what I’m reading as I go along. Meanwhile, enjoy the pics of my new, improved life and times in London. Congratulations in order to the team behind a well-thought out exhibition in a spooky locale, Art and Pigeon Pie.

See, I told you I was doing stuff.

Having no money doesn't make you less able to attend great free events, just less willing, so I really have no excuse for not having done more of this kind of thing before, except that I was using every spare minute to freelance myself into another £60 or looking for a new job. Before I had quality time with a laptop, and now... I have art and life and food. It's turning into a good year, I say in a small voice.

Wednesday, February 07, 2007

And so this is Christmas...

A quickie on the personal blog backlog before I cover the rest.

Christmas with The Bearded One took us to the South Bank for a frosty stomp, then an old-school sushi-chase and tickets to a truly kinked-up Cabaret. (Good work, Captain J.)

 

Christmas was spent quietly in Old Country, fresh air, sea, duck, wine.

Went to a litterati party, no less, up a boreen in Blackwater on Stephen's Day. Gorgeous and surreal. One prizewinner, one serious contender, a poetry editor, half a small, dysfunctional press' board, some artsy bigwigs and the prizewinner's family including a funny dentist who hated her job, and her brother, who fell three stories from a Barcelona balcony and was put back together with metal.

Then... New Year's with fabulous friends in Dublin. Amazingly, of the twenty people in the room, say, 17 of them Irish, all had been living in, were living in, or were moving to London.

Et me voila.

Sunday, February 04, 2007

Back in business

So… here we are. February.

It’s been a busy few months, and I return with my tail between my legs. I think I’ll do a few separate entries, rather than one big behemoth job.

I last wrote in November, when I faced harsh truths about working part-time:
1. You can’t live on a part-time publishing salary in London, no matter how much freelance reviewing you manage to land.

2. If you do work part-time, and your company has use-it-or-lose-it holidays, you have plenty of time, no money, and holidays you must, well, use or lose.

3. Holiday days carry more weight when you’re part-time. If you work a three-day week, nine days of holiday means three weeks off.

I could have just handed them over to The Man, but I was having a lousy time and determined to sit around in my bathrobe and eat discount bonbons in Norf London if it came to it. A girl’s gotta do…

But that would have been grim- my own sugar-laden company can only amuse for so long. Instead, I spent a week toddling around London, seeing the sights, meeting the mates, reading through the stack.

Then, I thought about where else I could go. I had to have accommodation supplied, under the circumstances, so I considered the options, and found myself back in the town of my birth. Very odd to be back, and odder still as I it was the first Thanksgiving in eight years I had in the States.

My cut-price where’s-the-catch? trip took me from Gatwick to Detroit to National Airport. Not Reagan. National. Got it?

At any rate, I spent most of it inhaling a copy of I Served the King of England by Brohumil Hrabal (Vintage, 2005). A slim volume with a decadent, mouldy brown cover sporting a dusty 1920s scene in a plush hotel, waiters, flappers and wealthy gentleman sunk into velvet banquettes, hiding in snugs and dark wood panelling. Hrabal’s was not a name I knew, but Milan Kundera called him the greatest writer in their country. If it’s good enough for Kundera, it’s enough to knock the rest of us sideways. It is essentially a picaresque, but not of the sunny, blond-haired, rosy-cheeked, dirty fingernails variety. The book opens with a young, poor man helping his resourceful grandmother with her rather unusual work: she profits from the profits of others, as visiting salesmen up on their luck toss their old, worn shirts, socks and jocks out the window into a stream. There sit the young man and his grandmother, who wait, heron-like, ready to lift them out, wash, mend and resell them down the ladder of working men. Soon, the boy seeks to come up in the world, and gains employment as a waiter in one of Prague’s old hotels in a day when waitering was a career, and only the observant, the skilled and the discreet could get ahead.

From this unremarkable start opens the most charming, exquisitely-written tale I have read in years. Though it never leaves Prague and surrounds, the boy has an education beyond his wildest dreams, as lush, exotic and glittering as the most colourful travel lit. Hrabal writes sensually, not sexually, about the boy’s first encounters with the garish women who frequent the hotels, as he ‘covers their laps with flowers’. He captures awe surrounding the prime minister’s misleading dinner for three, as the staff twigging with varying speeds to the non-existence of third diner as man and mistress tumble, sweetly into a pergola in the gardens.

There is an air of magic to this book, and though I know that the term ‘magic realism’ can turn people clean off, there is nothing here as blatant as Garcìa Marquez or Angela Carter. It is as if the magic has just left the stage, leaving just a twinkle in its wake. Here, the King of Ethiopa arrives with his full entourage, and a banquet is created the likes of which Bohemia has never seen. The near-orgiastic scene that erupts as the camel stuffed with x, stuffed with y and flavoured with all the spices of the Orient is cut and consumed is loud, sparkling, funny and mesmerising. There are more such scenes, but I won’t spoil it for you. (If you’re interested, another blogger, waggish, has run through it comprehensively)
What’s more, I was so astonished by it, that I threw my copy across the living room in Washington at my father, and left it there, demanding that he read it. Oi, you people who don’t read modern and contemporary fiction – get to it.

As to my time in Washington, it was lovely, filling and all those good things. Met up with the Best Friend, and thinking of happy nights in Addis in King's Cross, introduced her to some first-rate Ethiopian in Addams Morgan, and sampled some fabulous but pricey mojitos. She is muchly missed, but there we are. Also, did some wandering in the Old Country of the outback of North West DC and relearned my driving skills all over again. Relaxing. Not London. Good.

Sunday, November 05, 2006

Going the Wicklow Way

Having left at the crack of dawn (why am I always, always leaving at the crack of dawn despite my best efforts?!?!),

I'm back again after a gloriously lazy weekend in Wicklow with a houseful of friends, food, wine and sea views.

Fierce therapeutic, of course, and nice to make the place feel like home. Pleasing to be with other people who appreciate the small pleasures, and cracked up to see international types endearing themselves/bewildering locals to take pictures of gingerbread men and the like. Barely resisted the urge to avail of the five-finger discount in one of the town's amazing boutiques, well beyond my price range, of course. Lots of stomping, all the cobwebs blown out and returned clearheaded and sure as ever that London is not the place for me, but I think that's just going to be the way it is.

Did almost no reading while I was there, having just finished the fantastic The Book of Chameleons by José Eduardo Agualusa, a truly daft Dante-as-detective effort, and *gak* Mother Missing by Joyce Carol bloody Oates. Why I'm constantly subjected to Women's Writing (as opposed to writing by women) simply because I'm young and female is beyond me: as if you would feed a black freelancer almost exclusively Black Writing, mais bon. Silliness and entirely not my cup of tea, with women characters so objectionable, so catty, manipulative and stereotypically female that it was hard to drag myself past the opening scene. The Dante effort was fine but not worth discussing further, but the Agualusa! Fantastic. Absolutely gorgeous, gentle writing, unusual characters well developed, and several openly discussed and well-integrated themes. Based in Angola, it oozes light and heat, and has a lovely, rounded story about a 'seller of pasts' and how he falls in love. Absolutely superlative in its simplicity, and really rekindling an interest in contemporary African writing for me.

Now have a week off (use it or lose it holidays) and not enough to read! I might have to (gasp) read for pleasure! Shockin'.

Tuesday, October 17, 2006

London Days

So aside from the obvious reading, writing and whathaveyou, I spend more time in London outside than I have in any city in the world. I've lived long-term in four, so I think that this is pretty revolutionary. Most of it is to do with biking, which I discovered partially through necessity in Dublin. Whenever I reveal that I cycle through London most days, I'm met with astonishment- so dangerous, so nasty in bad weather, etc. I've found the eponymous small pleasures of this blog hard to come by in London, but cycling in London is something to smile about. Sure, Florence wasn't half bad either, for sheer beauty... but cobbles, ach. Although the tube goes practically everywhere, the buses are fantastic and the overground connects you to everything, public transportation here is hideously expensive and relatively time-consuming. I mean, Hell, I'm in work in less than fifteen minutes, and much more importantly, I could be home by 5.45.

The same was true in my last job, which had the (only) added benefit of a daily roundtrip down Regent's Canal.

It was all coots, geese and ducklings.






Good stuff, and sure beat Hampstead Road at rush hour, but you can't complain.

But the real benefit of cycling is being outside. You get to know your way around, you see things from a different perspective and after a few months, you've soaked up enough vitamin D to keep the SADs away at least through the other side of Christmas. It also gives you great, low impact exercise, which is, as we all know, the only kind of exercise.

The Bearded One has turned to cycling, but also to sport. This surprises me, as he was not a sporting type before, which suited yours truly grand. But, like myself, he finds that London gets to him, that our semi-subterranean flat lacks light and air in the wintertime, and so cricket, football, basketball and now baseball... all are to be played, watched and enjoyed. Nyeh, what the Hell.

My other new-found hobby since moving here, related to quality has been gardening. (See photo...) "You can afford to rent a place with a garden?! On a publishing salary?!?!?" Um, no. We have a slender slice of air and sky, sunk in the middle of North London between the converted flat at the back of a shop and the whitewashed brick wall of the picturesque row houses perpendicular to us.
It's fantastic. We love it- flowers, pots, palm tree, candles, tiny table and chairs, and a laundry line.


And, meet the real cause of this rant: my renewed appreciation for the natural world has spurred on a complete obsession with Bill Oddie's nature shows. Ok, ok, so many of you will tune out right about... now. Mais bon. It's true! He's lovely. And a conservationist, and genuinely enthusiastic about not just nature, but British nature. I find this encouraging. And now, oh, yes... Mini Oddie on your desktop, ALL THE TIME. I have no words. You need it. You want it. Doitdoit.

Friday, October 13, 2006

Independent Booksellers - query!


Hey there blogland. Two items here, and a shout out for help! I know I'm hardly coming down in visitors here, but if anyone can hear me...

I recently read a feature in one of the UK national papers about a group of independent bookshops who banded together to start a collective website. The idea was that punters order a book online, decide which of their local independent bookshops they wanted it to be delivered to, got an email when it arrived, and then walked in and bought it. The idea, of course, is to redirect some A*$zon users back into the physical bookshop, while offering the convenience of 24-hour internet searching.

Any thoughts, lads? I can't remember the name of this scheme, and I'd love to start sending you their way by way of click-thrus.

Meanwhile, Irish readers, get moving! The Guardian is taking nominations for good independent bookellers in Ireland for their database. I say the Exchange Bookshop in Dalkey and Readers in Dun Laoghaire- both south County Dublin, narf narf. Natch.

Thursday, October 12, 2006

Autumn

A disgraceful amount of time has passed since my last post. I never thought I'd be quite this bad this early on, but there we be.

Succeeded in seeing only one preview for the Dublin Theatre Festival, Festen at the Gate. Odd to see a play which began life as a film, and one that has made the seamless move from a Danish to an Irish setting, but it was a very fine play. Not all of the actors were up to the task, or alternately, their direction clashed when they were pitted against eachother, but all in all a success. The physical 'choreography' of it on stage was very fine indeed, with at one point three or four scenes playing simultaneously on stage- physically overlapping without seeing eachother, juxtaposing the various relationships to great effect.

The scene is set as a family joins together in a large country house in Denmark/Ireland for a banquet in honour of the father's 60th. Having just celebrated my father's 60th in an old Dublin pub, I wondered whether we'd done him justice... until the banquet scene all went sour with the promised nasty revelation of a dark family secret. Dark is an understatement, mais bon.

It was also extremely funny: it was, as I've tried to highlight, a very well-staged affair, so there was often a physical comedy element to its presentation, be it slapstick or mock-balletic. This not to mention some very funny lines...

The new RTÉ arts show, cast out to the 11pm weekly slot (RTÉ supporting the arts, ha!) came into its own when covering the Theatre Festival soon after my return. I was glad of this, considering that their debut airing was a focus on public sculpture. You do the math: sculpture, radio, sculpture, radio... I mean, ok, maybe once you have a listenership, but your debut show?? Come on.

But I digress. One of the critics mentioned that he saw one woman walk out of Festen, and to be honest, I'm surprised it didn't happen at every show. I'm trying, here, not to reveal the revelation, but let's just say it's a bit topical to Ireland's current confessional culture.

I wasn't the only one who liked it, though I suspect my companion for the evening did not- the Guardian gave it 4/5 stars.

Monday, September 25, 2006

Dublin Theatre Festival


So, being third in a three-woman team, I didn't draw the lucky straw to Edinburgh this year. That said, if I were to go, with, say, The Bearded One, I'd rather it not be during the festival so that we might enjoy the city, or alternately, that I not be at the festival for work. Demanding, I know, but that's what publicity gals are like - or so I'm told.

Besides, it's the Dublin Theatre Festival that really gets me going, as it always somehow manages to up the ante. Dublin is an amazing city for theatre, it's true, but things tend to get a bit pallsy and nepotistic, with the same pairings of actors/directors or actors/playwrights cropping up again and again. Either that, or as happened to me in my last two years of university, absolutely everything I saw was laughably bad. Every single one. It was thespian death out there, folks, but since, the pendulum has swung back to the kind of theatre we're all comfortably used to, and some we're not. The festival is a bit of fresh air, and the rest of the year seems to draw a lot of energy from it.

So, Thursday will see me at an Irish adaptation of Festen, reviewed there for the West End production. No doubt the ever-present theme of abuse will hit the reviews, which like the constant insistence on all things Catholic gets trying, particularly when you're living in England, but I'm intrigued as to how the Dublin production will rework a Danish country kitchen drama.

And, if I can get the blasted website to accept my plastic, I'll fly solo to a matinee -a parkbench first- to see the topical production of The Exonerated. Always one for a gimmick, I'm only dying to see who shows up as a guest. Unsurprisingly, given the topic, Susan Sarandon was strutting her stuff in the New York show. On the downside, it's in (though it pains me to link to anything so hideous) here we go, it's Liberty Hall.

Reviews to follow.