Reviewing Dublin

So last week, I packed up and rocked out all happy-like for a few days at home. Flying at lunchtime on a Wednesday, let me tell you... why have one seat when you can have six?

Arrived to an office with a view across the Green and on to the Dublin Mountains (I can't even know where to start on that one) a humus wrap and a smiley Brendan, friend and fearless editor of the Dublin Review and the resulting Dublin Review Reader. The launch of the Reader was my excuse to come over, but God knows I don't need one. I can't imagine how pleased he must have been, and how mortified to be lauded by the likes of Colm Tóibín. Mortifying, but deserved. All the great and the good were there, but better still, it was a pleasingly young crowd to boot. Finally met Claire Kilroy, who's as lovely as billed by our own good selves here, and naturally by many more important people. Met a girl whose family house we once rented, which was extremely surreal. The whole thing got a nice write-up and photo in the paper (shout if you need help with the link).

After staying up until five (fine choice), I then met the Ex, who thought my state hilarious because it's usually his. Later, in the same coffee shop, I met the only editorial staff member of New Island press. Sorry, did you follow? The ONLY editor or editorial anything for a list spanning history, memoir, travel, lit crit, women's studies and fiction, thirty strong per year. Thirty. Now, as she modestly said herself, some are in series, many are rather straightforward... but I know a few people on this more monied side of the publishing waters who might learn something.

She explained that, of course, they don't have plans to expand, but I would have fallen off my chair had she said otherwise. She did suggest that I freelance on copy-editing and the like - I can't imagine that one could make a living like that, but what, as I ask myself daily, do I know. I think a better plan might be to convince an existing house to give me reign to do a fiction list, and dammit, Janet, I still want to do the MPhil in Literary Translation at Trinity (TCD, not Trinity, Dublin... we are not an Oxbridge outpost, dahlink). I can't get enough of their webpage and how it bears the practical, approachable, multiple-hat wearing mark of my favourite professor, Cormac Ó Cuilleanáin, who fosters the kind of interdisciplinary view of academic study seen in American degrees with none of the accompanying bullshit. But clearly, he's an interdisciplinary kinda guy.

I then toddled down to Wicklow and thought too much. Dangerous, female and generally ill-advised, thinking too much, particularly about the unknowable, vaguely near future is completely exhausting. The whole mid-week weekend left me shaken and wanting to relocate home to Dublin for good, now, and I don't know what to do. It's hard to have a night of the kind of working life you want with a combination of people you've known and loved for years and people you'd love to get to know, and then get back on the plane, alone - I do wish that the Bearded One had been with me. As people like to remind me, I have an interesting job with great potential on a good and growing fiction list in an old, famous publishing house, I've landed some great reviewing gigs, I live in a bustling city with lots to do that's also close to home, I'm coming on for four years with one of the best men on the planet who is kind, intelligent, adoring and adored. After one of the worst years on record, we have made a happy heap in a cheap, beautiful flat in a leafy bit of the city, 20 minutes from work, rented to us by a wonderfully warm publishing grande dame. Friends from all over regularly fill the house. To welcome me home were white peaches and pomegranates in the fruit basket, and a pastel de nata from the Portuguese deli.

PDG, right? Right.

Still, bring on November '08 and the decisions that it will bring.

Moonwalking in Chinatown

So, funny as, yours truly has reviewed two whole plays for a paper. Oh, yes, P. Bench, theatre reviewer extraordinaire. I've been going long enough, and I know what I like... and I know a bad play when I see one, but does this qualify me? Probably not.

At any rate, the more recent of the two was Moonwalking in Chinatown put on by the Soho Theatre on Dean St.

Basically, it's textbook (oh, yes, I read one) promenade theatre, toodling as it does through the real, live streets of Chinatown with no less than four separate audiences, mobile crew and rotating actors in an hour-long show. The beginning needs work! HOT, people, it was hot. The wait was long. We stood on a landing looking at goldfish-like officeworkers who had no choice in the matter. There was no water, or air, and there were old people... ugh. And there's a bar, a NICE bar downstairs. Sort it out. Otherwise, on with the show, make a long story short, we were handed colour-coded tiles and led out under coordinating lanterns.

We were one with the actors, confused them for us, for passersby, for lunatics, whatever. The stage was shopwindows, supermarkets, smelly back alleys and beatific courtyards (yes, they can be) in the middle of high-priced real estate. It was a silly story, really, but they did a slam-bang job of it and we all learned a bit about things Moon Festival and Chinese.

But I'll tell you what we didn't come away with: a MOON CAKE, people. Come on. Is stellou the only one to provide?? Or am I going to have to haul my white, ill-informed beeehind down to Chinatown to sort the lotus seed paste from the cured ham? Because I can tell you, it won't be pretty. And how will I avoid the damn duck eggs? Where is that clever, bespectacled chinaphile? You know who you are. And I bet you know the real word for a chinaphile. So I went cakeless. Really, it would have been the perfect end to a fun night, but hey.

I commend the fine folks at Soho Theatre for putting it all together, t'ain'tabeen easy. Likewise, I'm impressed by the web gear for this show: a ‘moonblog’ which is cute, but could be a little rougher around the edges, along with mp3s of interviews, and some of the cast even announced their availability on facebook for chats after the show (soho bananaboy and duriangirl among others). This is exactly the sort of thing that theatres should be taking on: make it different, make it lively, and for Chrissake stop flogging half-dead donkeys up and down the West End.

MacNeice 100 today

It's been another long, not-so-great day, so let's have a bit of this.



Dublin

Grey brick upon brick,
Declamatory bronze
On sombre pedestals -
O'Connell, Grattan, Moore -
And the brewery tugs and the swans
On the balustraded stream
And the bare bones of a fanlight
Over a hungry door
And the air soft on the cheek
And porter running from the taps
With a head of yellow cream
And Nelson on his pillar
Watching his world collapse.

This never was my town,
I was not born or bred
Nor schooled here and she will not
Have me alive or dead
But yet she holds my mind
With her seedy elegance,
With her gentle veils of rain
And all her ghosts that walk
And all that hide behind
Her Georgian facades -
The catcalls and the pain,
The glamour of her squalor,
The bravado of her talk.

The lights jig in the river
With a concertina movement
And the sun comes up in the morning
Like barley-sugar on the water
And the mist on the Wicklow hills
Is close, as close
As the peasantry were to the landlord,
As the Irish to the Anglo-Irish,
As the killer is close one moment
To the man he kills,
Or as the moment itself
Is close to the next moment.

She is not an Irish town
And she is not English,
Historic with guns and vermin
And the cold renown
Of a fragment of Church latin,
Of an oratorical phrase.
But oh the days are soft,
Soft enough to forget
The lesson better learnt,
The bullet on the wet
Streets, the crooked deal,
The steel behind the laugh,
The Four Courts burnt.

Fort of the Dane,
Garrison of the Saxon,
Augustan capital
Of a Gaelic nation,
Appropriating all
The alien brought,
You give me time for thought
And by a juggler's trick
You poise the toppling hour -
O greyness run to flower,
Grey stone, grey water,
And brick upon grey brick.

-- Louis MacNeice

Dorma Pavarotti

Today, Luciano Pavarotti died. Every paper bore his name, and every radio station woke us up to his voice.

But here in London, the Italians got it right, as Italians are want to do. I was flying on my bike, thinking about Florence, and I heard it.

Today was the day that ice cream trucks blared Nessun norma as they did their rounds.

Shortie of the Week

It's been a while, but in the interim, American author Grace Paley passed away. I must admit that I never read loads of her work, but then, what I don't know would fill a room... for although A.M. Homes is not my favourite, Dan Schneider seems a bit harsh on the Laura Hird site. Homes did at least a twofer on Paley, here in 1998 and in the Guardian yesterday.

But we're democratic here at Parkbench, so go on and look her up yourself for your short fiction reading this week. Her greatest hits include 'Goodbye and Good Luck' (a popular title for her obit in lots of papers) and ‘A Conversation With My Father’. Really, she seems to have been a sweet, introspective, thoughtful type of woman, as suggested by this charming interview - somewhere in there the suggestion that we should have known more of her and her writing, though I suspect that at 26 I may be exactly the wrong age to have been introduced to her work in American highschool.

But most wonderfully, do please go and listen in to the writer herself through the links to past interviews and discussions on NPR in the States - nothing does it like audio.


Alternately, read the single most astonishing collection of short fiction of recent years - Walk the Blue Fields by Claire Keegan. I was thrilled to have met her last Christmas, and she gives off those eerie waves of genius. That's all there is to it. I hope someone lets me review it, and I will do so here soon.