Showing posts with label paperbacks. Show all posts
Showing posts with label paperbacks. Show all posts
Wednesday, August 08, 2007
Fishies
Like most mere mortals with bad salaries and high rents, I live in Paperback Land. This means that I read all books (other than those I work on) a year after they come out, when they're cheaper, more colourful and more plentiful. If you have somehow, like myself until recently, managed to miss Salmon Fishing in the Yemen, you should know that it is indeed a book to be judged by its cover – and title.
OK, so that's not the Yemen, but throw a girl a bone. Anyway, the book really does do what it says on the tin… of salmon. Schnar. A serious-minded fisheries scientist thinks that he might have to walk away from his career rather than get involved with a daft government-backed scheme to beat them all: taking Atlantic salmon to the wadis of the Yemen to please a rich Caledoniaphile (oh, yes) Sheik and provide a good photo-op in the Middle East for the PM. There’s a nice narrative sideline regards the bigger political machinations of the scheme involving a send-up of Tony Blair and Alastair Campbell that’s more Yes, Minister than West Wing, though it does get a bit bogged-down halfway through. Eventually, the good scientist, trapped in a loveless marriage he never realised was miserable, finds that his life lacks meaning and adventure. Soon, he is flying around the world to learn about holding tanks, cooling systems and how to trick fish into adapting to desert life, while dodging his increasingly enraged wife, a sycophant spin-doctor and a backstabbing boss. It’s charming and funny and really just a straightforward middle-aged picaresque. Highly recommended for some fun, easy reading. And of course you already knew all that, but Hell, no one reads this anyway!
Labels:
paperbacks,
reviews,
Salmon Fishing in the Yemen
Sunday, February 04, 2007
Back in business
So… here we are. February.
It’s been a busy few months, and I return with my tail between my legs. I think I’ll do a few separate entries, rather than one big behemoth job.
I last wrote in November, when I faced harsh truths about working part-time:
1. You can’t live on a part-time publishing salary in London, no matter how much freelance reviewing you manage to land.
2. If you do work part-time, and your company has use-it-or-lose-it holidays, you have plenty of time, no money, and holidays you must, well, use or lose.
3. Holiday days carry more weight when you’re part-time. If you work a three-day week, nine days of holiday means three weeks off.
I could have just handed them over to The Man, but I was having a lousy time and determined to sit around in my bathrobe and eat discount bonbons in Norf London if it came to it. A girl’s gotta do…
But that would have been grim- my own sugar-laden company can only amuse for so long. Instead, I spent a week toddling around London, seeing the sights, meeting the mates, reading through the stack.
Then, I thought about where else I could go. I had to have accommodation supplied, under the circumstances, so I considered the options, and found myself back in the town of my birth. Very odd to be back, and odder still as I it was the first Thanksgiving in eight years I had in the States.
My cut-price where’s-the-catch? trip took me from Gatwick to Detroit to National Airport. Not Reagan. National. Got it?

At any rate, I spent most of it inhaling a copy of I Served the King of England by Brohumil Hrabal (Vintage, 2005). A slim volume with a decadent, mouldy brown cover sporting a dusty 1920s scene in a plush hotel, waiters, flappers and wealthy gentleman sunk into velvet banquettes, hiding in snugs and dark wood panelling. Hrabal’s was not a name I knew, but Milan Kundera called him the greatest writer in their country. If it’s good enough for Kundera, it’s enough to knock the rest of us sideways. It is essentially a picaresque, but not of the sunny, blond-haired, rosy-cheeked, dirty fingernails variety. The book opens with a young, poor man helping his resourceful grandmother with her rather unusual work: she profits from the profits of others, as visiting salesmen up on their luck toss their old, worn shirts, socks and jocks out the window into a stream. There sit the young man and his grandmother, who wait, heron-like, ready to lift them out, wash, mend and resell them down the ladder of working men. Soon, the boy seeks to come up in the world, and gains employment as a waiter in one of Prague’s old hotels in a day when waitering was a career, and only the observant, the skilled and the discreet could get ahead.
From this unremarkable start opens the most charming, exquisitely-written tale I have read in years. Though it never leaves Prague and surrounds, the boy has an education beyond his wildest dreams, as lush, exotic and glittering as the most colourful travel lit. Hrabal writes sensually, not sexually, about the boy’s first encounters with the garish women who frequent the hotels, as he ‘covers their laps with flowers’. He captures awe surrounding the prime minister’s misleading dinner for three, as the staff twigging with varying speeds to the non-existence of third diner as man and mistress tumble, sweetly into a pergola in the gardens.
There is an air of magic to this book, and though I know that the term ‘magic realism’ can turn people clean off, there is nothing here as blatant as Garcìa Marquez or Angela Carter. It is as if the magic has just left the stage, leaving just a twinkle in its wake. Here, the King of Ethiopa arrives with his full entourage, and a banquet is created the likes of which Bohemia has never seen. The near-orgiastic scene that erupts as the camel stuffed with x, stuffed with y and flavoured with all the spices of the Orient is cut and consumed is loud, sparkling, funny and mesmerising. There are more such scenes, but I won’t spoil it for you. (If you’re interested, another blogger, waggish, has run through it comprehensively)
What’s more, I was so astonished by it, that I threw my copy across the living room in Washington at my father, and left it there, demanding that he read it. Oi, you people who don’t read modern and contemporary fiction – get to it.
As to my time in Washington, it was lovely, filling and all those good things. Met up with the Best Friend, and thinking of happy nights in Addis in King's Cross, introduced her to some first-rate Ethiopian in Addams Morgan, and sampled some fabulous but pricey mojitos. She is muchly missed, but there we are.
Also, did some wandering in the Old Country of the outback of North West DC and relearned my driving skills all over again. Relaxing. Not London. Good.
It’s been a busy few months, and I return with my tail between my legs. I think I’ll do a few separate entries, rather than one big behemoth job.
I last wrote in November, when I faced harsh truths about working part-time:
1. You can’t live on a part-time publishing salary in London, no matter how much freelance reviewing you manage to land.
2. If you do work part-time, and your company has use-it-or-lose-it holidays, you have plenty of time, no money, and holidays you must, well, use or lose.
3. Holiday days carry more weight when you’re part-time. If you work a three-day week, nine days of holiday means three weeks off.
I could have just handed them over to The Man, but I was having a lousy time and determined to sit around in my bathrobe and eat discount bonbons in Norf London if it came to it. A girl’s gotta do…
But that would have been grim- my own sugar-laden company can only amuse for so long. Instead, I spent a week toddling around London, seeing the sights, meeting the mates, reading through the stack.
Then, I thought about where else I could go. I had to have accommodation supplied, under the circumstances, so I considered the options, and found myself back in the town of my birth. Very odd to be back, and odder still as I it was the first Thanksgiving in eight years I had in the States.
My cut-price where’s-the-catch? trip took me from Gatwick to Detroit to National Airport. Not Reagan. National. Got it?
At any rate, I spent most of it inhaling a copy of I Served the King of England by Brohumil Hrabal (Vintage, 2005). A slim volume with a decadent, mouldy brown cover sporting a dusty 1920s scene in a plush hotel, waiters, flappers and wealthy gentleman sunk into velvet banquettes, hiding in snugs and dark wood panelling. Hrabal’s was not a name I knew, but Milan Kundera called him the greatest writer in their country. If it’s good enough for Kundera, it’s enough to knock the rest of us sideways. It is essentially a picaresque, but not of the sunny, blond-haired, rosy-cheeked, dirty fingernails variety. The book opens with a young, poor man helping his resourceful grandmother with her rather unusual work: she profits from the profits of others, as visiting salesmen up on their luck toss their old, worn shirts, socks and jocks out the window into a stream. There sit the young man and his grandmother, who wait, heron-like, ready to lift them out, wash, mend and resell them down the ladder of working men. Soon, the boy seeks to come up in the world, and gains employment as a waiter in one of Prague’s old hotels in a day when waitering was a career, and only the observant, the skilled and the discreet could get ahead.
From this unremarkable start opens the most charming, exquisitely-written tale I have read in years. Though it never leaves Prague and surrounds, the boy has an education beyond his wildest dreams, as lush, exotic and glittering as the most colourful travel lit. Hrabal writes sensually, not sexually, about the boy’s first encounters with the garish women who frequent the hotels, as he ‘covers their laps with flowers’. He captures awe surrounding the prime minister’s misleading dinner for three, as the staff twigging with varying speeds to the non-existence of third diner as man and mistress tumble, sweetly into a pergola in the gardens.
There is an air of magic to this book, and though I know that the term ‘magic realism’ can turn people clean off, there is nothing here as blatant as Garcìa Marquez or Angela Carter. It is as if the magic has just left the stage, leaving just a twinkle in its wake. Here, the King of Ethiopa arrives with his full entourage, and a banquet is created the likes of which Bohemia has never seen. The near-orgiastic scene that erupts as the camel stuffed with x, stuffed with y and flavoured with all the spices of the Orient is cut and consumed is loud, sparkling, funny and mesmerising. There are more such scenes, but I won’t spoil it for you. (If you’re interested, another blogger, waggish, has run through it comprehensively)
What’s more, I was so astonished by it, that I threw my copy across the living room in Washington at my father, and left it there, demanding that he read it. Oi, you people who don’t read modern and contemporary fiction – get to it.
As to my time in Washington, it was lovely, filling and all those good things. Met up with the Best Friend, and thinking of happy nights in Addis in King's Cross, introduced her to some first-rate Ethiopian in Addams Morgan, and sampled some fabulous but pricey mojitos. She is muchly missed, but there we are.
Sunday, November 05, 2006
Going the Wicklow Way
Having left at the crack of dawn (why am I always, always leaving at the crack of dawn despite my best efforts?!?!),

I'm back again after a gloriously lazy weekend in Wicklow with a houseful of friends, food, wine and sea views.

Fierce therapeutic, of course, and nice to make the place feel like home. Pleasing to be with other people who appreciate the small pleasures, and cracked up to see international types endearing themselves/bewildering locals to take pictures of gingerbread men and the like. Barely resisted the urge to avail of the five-finger discount in one of the town's amazing boutiques, well beyond my price range, of course. Lots of stomping, all the cobwebs blown out and returned clearheaded and sure as ever that London is not the place for me, but I think that's just going to be the way it is.
Did almost no reading while I was there, having just finished the fantastic The Book of Chameleons by José Eduardo Agualusa, a truly daft Dante-as-detective effort, and *gak* Mother Missing by Joyce Carol bloody Oates. Why I'm constantly subjected to Women's Writing (as opposed to writing by women) simply because I'm young and female is beyond me: as if you would feed a black freelancer almost exclusively Black Writing, mais bon. Silliness and entirely not my cup of tea, with women characters so objectionable, so catty, manipulative and stereotypically female that it was hard to drag myself past the opening scene. The Dante effort was fine but not worth discussing further, but the Agualusa! Fantastic. Absolutely gorgeous, gentle writing, unusual characters well developed, and several openly discussed and well-integrated themes. Based in Angola, it oozes light and heat, and has a lovely, rounded story about a 'seller of pasts' and how he falls in love. Absolutely superlative in its simplicity, and really rekindling an interest in contemporary African writing for me.
Now have a week off (use it or lose it holidays) and not enough to read! I might have to (gasp) read for pleasure! Shockin'.

I'm back again after a gloriously lazy weekend in Wicklow with a houseful of friends, food, wine and sea views.

Fierce therapeutic, of course, and nice to make the place feel like home. Pleasing to be with other people who appreciate the small pleasures, and cracked up to see international types endearing themselves/bewildering locals to take pictures of gingerbread men and the like. Barely resisted the urge to avail of the five-finger discount in one of the town's amazing boutiques, well beyond my price range, of course. Lots of stomping, all the cobwebs blown out and returned clearheaded and sure as ever that London is not the place for me, but I think that's just going to be the way it is.
Did almost no reading while I was there, having just finished the fantastic The Book of Chameleons by José Eduardo Agualusa, a truly daft Dante-as-detective effort, and *gak* Mother Missing by Joyce Carol bloody Oates. Why I'm constantly subjected to Women's Writing (as opposed to writing by women) simply because I'm young and female is beyond me: as if you would feed a black freelancer almost exclusively Black Writing, mais bon. Silliness and entirely not my cup of tea, with women characters so objectionable, so catty, manipulative and stereotypically female that it was hard to drag myself past the opening scene. The Dante effort was fine but not worth discussing further, but the Agualusa! Fantastic. Absolutely gorgeous, gentle writing, unusual characters well developed, and several openly discussed and well-integrated themes. Based in Angola, it oozes light and heat, and has a lovely, rounded story about a 'seller of pasts' and how he falls in love. Absolutely superlative in its simplicity, and really rekindling an interest in contemporary African writing for me.
Now have a week off (use it or lose it holidays) and not enough to read! I might have to (gasp) read for pleasure! Shockin'.
Labels:
Arcadia Press,
Ireland,
paperbacks,
reviews,
The Book of Chameleons
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